akhandam cittam avesya
lokan anucaran munih
svara-brahmani—in spiritual sound; nirbhata—placing clearly before the mind; hrsikesa—of the Supreme Personality of Godhead, Krsna, the master of the senses; padambuje—the lotus feet; akhandam—unbroken; cittam—consciousness; avesya—engaging; lokan—all the planetary systems; anucarat—traveled around; munih—the great sage Narada Muni.
The seven musical notes—sa, r, ga, ma, pa, dha and ni—are used in musical instruments, but originally they come from the Sama Veda. The great sage Narada vibrates sounds describing the pastimes of the Supreme Lord. By such transcendental vibrations, such as Hare Krsna, Hare Krsna, Krsna Krsna, Hare Hare/ Hare Rama, Hare Rama, Rama Rama, Hare Hare, he fixes his mind at the lotus feet of the Lord. Thus he directly perceives Hrsikesa, the master of the senses. After delivering the Haryasvas, Narada Muni continued traveling throughout the planetary systems, his mind always fixed at the lotus feet of the Lord.
The goodness of the great sage Narada Muni is described herewith. He always chants about the pastimes of the Lord and delivers the fallen souls back to Godhead. In this regard, Srila Bhaktivinoda Thakura has sung:
The purport of this song is that Narada Muni, the great soul, plays a stringed instrument called a vina, vibrating the sound radhika-ramana, which is another name for Krsna. As soon as he strokes the strings, all the devotees begin responding, making a very beautiful vibration. Accompanied by the stringed instrument, the singing seems like a shower of nectar, and all the devotees dance in ecstasy to the fullest extent of their satisfaction. While dancing, they appear madly intoxicated with ecstasy, as if drinking the beverage called madhuri-pura. Some of them cry, some of them dance, and some of them, although unable to dance publicly, dance within their hearts. Lord Siva embraces Narada Muni and begins talking in an ecstatic voice, and seeing Lord Siva dancing with Narada, Lord Brahma also joins, saying, “All of you kindly chant ‘Hari bol! Hari bol!’ ” The King of heaven, Indra, also gradually joins with great satisfaction and begins dancing and chanting “Hari bol! Hari bol!” In this way, by the influence of the transcendental vibration of the holy name of God, the whole universe becomes ecstatic. Bhaktivinoda Thakura says, “When the universe becomes ecstatic, my desire is satisfied. I therefore pray unto the lotus feet of Rupa Gosvami that this chanting of harer nama [Adi 17.21] may go on nicely like this.”
Lord Brahma is the guru of Narada Muni, who is the guru of Vyasadeva, and Vyasadeva is the guru of Madhvacarya. Thus the Gaudiya-Madhva-sampradaya is in the disciplic succession from Narada Muni. The members of this disciplic succession—in other words, the members of the Krsna consciousness movement—should follow in the footsteps of Narada Muni by chanting the transcendental vibration Hare Krsna, Hare Krsna, Krsna Krsna, Hare Hare/ Hare Rama, Hare Rama, Rama Rama, Hare Hare. They should go everywhere to deliver the fallen souls by vibrating the Hare Krsna mantra and the instructions of Bhagavad-gita, Srimad-Bhagavatam and Caitanya-caritamrta. That will please the Supreme Personality of Godhead. One can spiritually advance if one actually follows the instructions of Narada Muni. If one pleases Narada Muni, then the Supreme Personality of Godhead, Hrsikesa, is also pleased (yasya prasadad bhagavat-prasadah ). The immediate spiritual master is the representative of Narada Muni; there is no difference between the instructions of Narada Muni and those of the present spiritual master. Both Narada Muni and the present spiritual master speak the same teachings of Krsna, who says in Bhagavad-gita (18.65–66):
“Always think of Me and become My devotee. Worship Me and offer your homage unto Me. Thus you will come to Me without fail. I promise you this because you are My very dear friend. Abandon all varieties of religion and just surrender unto Me. I shall deliver you from all sinful reaction. Do not fear.”
Link to this page: https://prabhupadabooks.com/sb/6/5/22