bhaktanam udagad anargala-dhiyam vargo nisargojjvalah
silaih pallavitah sa ballava-vadhu-bandho prabandho 'py asau
lebhe catvaratam ca tandava-vidher vrndatavi-garbha-bhur
manye mad-vidha-punya-mandala-paripako 'yam unmilati
bhaktanam—of devotees; udagat—has appeared; anargala-dhiyam—constantly thinking of Radha-Krsna; vargah—the assembly; nisarga-ujjvalah—naturally very advanced; silaih—with natural poetic decorations; pallavitah—spread like the leaves of a tree; sah—that; ballava-vadhu-bandhah—of the friend of the gopis, Sri Krsna; prabandhah—a literary composition; api—even; asau—that; lebhe—has achieved; catvaratam—the quality of a quadrangular place with level ground; ca—and; tandava-vidheh—for dancing; vrnda-atavi—of the forest of Vrndavana; garbha-bhuh—the inner grounds; manye—I consider; mat-vidha—of persons like me; punya-mandala—of groups of pious activities; paripakah—the full development; ayam—this; unmilati—appears.
'The devotees now present are constantly thinking of the Supreme Lord and are therefore highly advanced. This work named Vidagdha-madhava depicts the characteristic pastimes of Lord Krsna with decorations of poetic ornaments. And the inner grounds of the forest of Vrndavana provide a suitable platform for the dancing of Krsna with the gopis. Therefore I think that the pious activities of persons like us, who have tried to advance in devotional service, have now attained maturity.'
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