TEXT 187
hasya, adbhuta, vira, karuna, raudra, bibhatsa, bhaya
panca-vidha-bhakte gauna sapta-rasa haya
SYNONYMS
hasyalaughter; adbhutawonder; virachivalry; karunapathetic feeling; raudraanger; bibhatsadisaster; bhayafearfulness; panca-vidha-bhaktein five kinds of devotees; gaunaindirect; sapta-rasaseven kinds of mellows; hayathere are.
TRANSLATION
"In addition to the five direct mellows, there are seven indirect mellows, known as laughter, wonder, chivalry, compassion, anger, disaster and fear.
PURPORT
vaksyamanair vibhavadyaih
saminam svadyatam gatah sthayi santi-ratir dhiraih santa-bhakti-rasah smrtah prayah svasukha-jatiyam
sukham syad atra yoginam kintv atma-saukhyam aghanam ghanam tv isam ayam sukham tatrapisa-svarupanubhavasyaivoru-hetuta dasadi-van-mano-jnatva-lilader na tatha mata When santa-rati (neutral attraction) is continuously existent and mixed with ecstatic emotion, and when the devotee relishes that neutral position, it is called santa-bhakti-rasa. Santa-bhakti-rasa devotees generally relish the impersonal feature of the Supreme Personality of Godhead. Since their taste of transcendental bliss is incomplete, it is called aghana, or not concentrated. A comparison is made between ordinary milk and concentrated milk. When the same devotee goes beyond the impersonal and tastes the service of the Supreme Personality of Godhead in His original form as sac-cid-ananda-vigraha, the taste is called concentrated (ghana) transcendental bliss. Sometimes the devotees in the santa-rasa relish transcendental bliss after meeting the Supreme Personality of Godhead, but this is not comparable to the transcendental bliss relished by the devotees situated in dasya-rasa, the transcendental mellow in which one renders service to the Supreme Personality of Godhead.
Dasya-rasa, or dasya-bhakti-rasa, is described in the Bhakti-rasamrta-sindhu (3.2.4,5) as follows:
atmocitair vibhavadyaih
pritir asvadaniyatam nita cetasi bhaktanam priti-bhakti-raso matah anugrahyasya dasatval
lalyatvad apy ayam dvidha bhidyate sambhrama-prito gaurava-prita ity api When according to the desires of the spirit soul the living entity develops love for the Supreme Personality of Godhead, this beginning of love is called dasya-bhakti-rasa. Dasya-bhakti-rasa is divided into two categories called sambhrama-dasya and gaurava-dasya. In the sambhrama-dasya, the devotee renders respectful service to the Supreme Personality of Godhead, but in the more advanced gaurava-dasya, his service takes the form of giving protection to the Lord.
Sakhya-bhakti-rasa is described as follows in Bhakti-rasamrta-sindhu (3.3.1):
sthayibhavo vibhavadyaih
sakhyam atmocitair iha nitas citte satam pustim rasah preyanudiryate vibhavadyais tu vatsalyam
sthayi pustim upagatah esa vatsala-namatra prokto bhakti-raso budhaih atmocitair vibhavadyaih
pustim nita satam hrdi madhurakhyo bhaved bhaktir aso 'sau madhura ratih Similarly, hasya, adbhuta, vira, karuna, raudra, bhaya and bibhatsa-the seven indirect mellows-are explained in the Bhakti-rasamrta-sindhu. The hasya-bhakti-rasa, laughing devotion, is explained as follows (Bhakti-rasamrta-sindhu 4.1.6):
vaksyamanair vibhavadyaih
pustim hasa-ratir gata hasya-bhakti-raso nama budhair esa nigadyate atmocitair vibhavadyaih
svadyatvam bhakta-cetasi sa vismaya-ratir nitad- bhuto-bhakti-raso bhavet saivotsaha-ratih sthayi
vibhavadyair nijocitah aniyamana svadyatvam vira-bhakti-raso bhavet yuddha-dana-daya-dharmais caturdha-vira ucyate atmocitair vibhavadyair
nita pustim satam hrdi bhavec choka-ratir bhakti- raso hi karunabhidhah nita krodha-ratih pustim
vibhavadyair nijocitaih hrdi bhakta-janasyasau raudra-bhakti-raso bhavet vaksyamanair vibhavadyaih
pustim bhaya-ratir gata bhayanakabhidho bhakti- raso dhirair udiryate pustim nija-vibhavadyair
jugupsa-ratir agata asau bhakti-raso dhirair bibhatsakhya itiryate In conclusion, when a pure devotee is situated in any of the five principal mellows (santa, dasya, sakhya, vatsalya and madhura), and the mellow is mixed with the seven indirect bhakti-rasas (hasya, adbhuta, vira, karuna, raudra, bhayanaka and bibhatsa), the indirect mellows become prominent.
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