atha paṇayas taṁ sva-vidhinābhiṣicyāhatena vāsasācchādya bhūṣaṇālepa-srak-tilakādibhir upaskṛtaṁ bhuktavantaṁ dhūpa-dīpa- mālya-lāja-kisalayāṅkura-phalopahāropetayā vaiśasa-saṁsthayā mahatā gīta-stuti-mṛdaṅga-paṇava-ghoṣeṇa ca puruṣa-paśuṁ bhadra- kālyāḥ purata upaveśayām āsuḥ.
atha panayas tam sva-vidhinabhisicyahatena vasasacchadya
bhusanalepa-srak-tilakadibhir upaskrtam bhuktavantam dhupa-dipa-
malya-laja-kisalayaṅkura-phalopaharopetaya vaisasa-samsthaya
mahata gita-stuti-mrdaṅga-panava-ghosena ca purusa-pasum bhadra-
kalyah purata upavesayam asuh.
bhusanalepa-srak-tilakadibhir upaskrtam bhuktavantam dhupa-dipa-
malya-laja-kisalayaṅkura-phalopaharopetaya vaisasa-samsthaya
mahata gita-stuti-mrdaṅga-panava-ghosena ca purusa-pasum bhadra-
kalyah purata upavesayam asuh.
atha-thereafter; panayah-all the followers of the dacoit; tam-him (Jada Bharata); sva-vidhina-according to their own ritualistic principles; abhisicya-bathing; ahatena-with new; vasasa-garments; acchadya-covering; bhusana-ornaments; alepa-smearing the body with sandalwood pulp; srak-a flower garland; tilaka-adibhih-with markings on the body and so on; upaskrtam-completely decorated; bhuktavantam-having eaten; dhupa-with incense; dipa-lamps; malya-garlands; laja-parched grain; kisalaya-aṅkura-twigs and sprouts; phala-fruits; upahara-other paraphernalia; upetaya-fully equipped; vaisasa-samsthaya-with complete arrangements for sacrifice; mahata-great; gita-stuti-of songs and prayers; mrdaṅga-of the drums; panava-of the bugles; ghosena-by vibration; ca-also; purusa-pasum-the man-animal; bhadra-kalyah-of the goddess Kali; puratah-just in front; upavesayam asuh-made him sit down.
|
|