antar-gato írtho rajasa taniyan
gunena kalanugatena viddhah
susyams tadabhidyata nabhi-desat
tasya—His; artha—subject; suksma—subtle; abhinivista-drsteh—of one whose attention was fixed; antah-gatah—internal; arthah—purpose; rajasa—by the mode of passion of material nature; taniyan—very subtle; gunena—by the qualities; kala-anugatena—in due course of time; viddhah—agitated; susyan—generating; tada—then; abhidyata—pierced through; nabhi-desat—from the abdomen.
The subtle subject matter of creation, on which the Lordís attention was fixed, was agitated by the material mode of passion, and thus the subtle form of creation pierced through His abdomen.
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