SB 1.6.32
TEXT 32
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TEXT
देवदत्तामिमां वीणां स्वरब्रह्मविभूषिताम् ।
मूर्च्छयित्वा हरिकथां गायमानश्चराम्यहम् ॥ ३२ ॥ deva-dattam imam vinam
svara-brahma-vibhusitam
murcchayitva hari-katham
gayamanas caramy aham
deva-the Supreme Personality of Godhead (Sri Krsna); dattam-gifted by; imam-this; vinam-a musical stringed instrument; svara-singing meter; brahma-transcendental; vibhusitam-decorated with; murcchayitva-vibrating; hari-katham-transcendental message; gayamanah-singing constantly; carami-do move; aham-I.
TRANSLATION
And thus I travel, constantly singing the glories of the Lord and transcendental messages, vibrating this instrument called a vina which is charged with transcendental sound and which was given to me by Lord Krsna.
PURPORT
The musical string instrument called the vina, which was handed to Narada by Lord Sri Krsna, is described in the Liṅga Purana, and this is confirmed by Srila Jiva Gosvami. This transcendental instrument is identical with Lord Sri Krsna and Narada because all of them are of the same transcendental category. Sound vibrated by the instrument cannot be material, and therefore the glories and pastimes which are broadcast by the instrument of Narada are also transcendental, without a tinge of material inebriety. The seven singing meters, namely Sa (Sarja), R (Rsabha), Ga (Gandhara), Ma (Madhyam), Pa (Pancham), Dha (Dhaivata) and Ni (Nisada) are also transcendental and specifically meant for transcendental songs. As a pure devotee of the Lord, Sri Narada Deva is always fulfilling his obligation to the Lord for His gift of the instrument, and thus he is always engaged in singing His transcendental glories and is therefore infallible in his exalted position. Following in the footsteps of Srila Narada Muni, a self-realized soul in the material world should also properly use the sound meters, namely Sa, R, Ga, Ma, etc., in the service of the Lord by constantly singing the glories of the Lord, as confirmed in the Bhagavad-gita.
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