tad-vāg-visargo janatāgha-viplavo yasmin prati-ślokam abaddhavaty api nāmany anantasya yaśo 'ṅkitāni yat śṛṇvanti gāyanti gṛṇanti sādhavaḥ
tad-vag-visargo janatagha-viplavo
yasmin prati-slokam abaddhavaty api
namany anantasya yaso 'ṅkitani yat
srnvanti gayanti grnanti sadhavah
yasmin prati-slokam abaddhavaty api
namany anantasya yaso 'ṅkitani yat
srnvanti gayanti grnanti sadhavah
"In explaining the glories of the Lord, inexperienced men may compose poetry with many faults, but because it contains glorification of the Lord, great personalities read it, hear it and chant it." (Bhag. 1.5.11) Despite its minute literary discrepancies, one must study poetry on the merit of its subject matter. According to Vaisnava philosophy, any literature that glorifies the Lord, whether properly written or not, is first class. There need be no other considerations. The poetic compositions of Bhavabhuti, or Sri Kantha, include Malati-madhava, Uttara-carita, Vira-carita and many other similar Sanskrit dramas. This great poet was born during the time of Bhojaraja as the son of Nilakantha, a brahmana. Kalidasa flourished during the time of Maharaja Vikramaditya, and he became the state poet. He composed some thirty or forty Sanskrit dramas, including Kumara-sambhava, Abhijnana-sakuntala and Megha-duta. His drama Raghu-vamsa is especially famous. We have already described Jayadeva in Chapter Thirteen of this Adi-lila.
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