Audio

Gargamuni: One section room was dictation, one section cooking, one section editing. So this is more on a grand style.

Prabhupada: So actually my lift will be used once in a day. Then how it will be in order?

Saurabha: We will repair it. It's not that... We will make it work, and then no one will touch it.

Prabhupada: And at the time of my use, if it is out of order?

Tamala Krsna: Maybe you should keep a man there all the time.

Gargamuni: Let's hire an operator. They have lift operators in many of the hotels.

Saurabha: See, they took the fuse out so that we can use it, so we put the fuse back, so the lift works. And then just before you came, someone went in there...

Tamala Krsna: Practically the only people who will be here will be your servants and occasionally...

Prabhupada: Nobody should use it. My men should know how to use it, that's all.

Tamala Krsna: So if you show me, then I'll keep the key. Then I won't let anybody...

Prabhupada: Yes. He will learn and he will teach, that's all. You teach him. So Lokanatha Swami, your preaching last night was very nice. That chief minister spoke very nicely.

Devotees: Yes.

Gopala Krsna: All the points he said were mentioned in our letter to him in which we invited him. Like eighty-four books you have translated, how we found that stone here from six hundred years ago.

Tamala Krsna: Srila Prabhupada wants that speech of his that it can be published in either a magazine or Hare Krsna monthly. I took it down on the tape.

Gopala Krsna: Okay. Yes, we have it on a tape.

Tamala Krsna: Okay. It should be published in Hindi.

Gopala Krsna: He was very favorable. He liked the performance.

Prabhupada: Both he and his wife appear to be devotee.

Gopala Krsna: He is a devotee. He had to go back to his village, which is very far. Otherwise he would have stayed for the play, he told me. He left at eight-thirty. [pause]

Prabhupada: I think I haven't got such place to live anywhere in the world. [laughs]

Gargamuni: Especially your own building.

Gopala Krsna: This apartment is the best, actually.

Prabhupada: Los Angeles and in New York, big, big cities they are-London, Paris. But nobody can present such luxurious royal palace.

Gopala Krsna: The drama was very appreciated last night. Somayaji, he was watching it with us, and he said he would like to arrange a big program in his house.

Prabhupada: Old Somayaji or his son?

Gopala Krsna: His son. He liked the drama very much.

Lokanatha: It has become one of the main attractions of the public, this Vaikuntha Player performance. After..., two nights after the program, I inquired from the public on the microphone, "Do you like this drama?" Immediately everybody raised their hands: "Yes!"

Prabhupada: They were asking me whether they are professional men. "No, no, these all my disciples."

Gopala Krsna: They're actually much better than any of the professional men.

Prabhupada: Oh, yes. We played Caitanya-lila in our younger days. So we brought one very famous man, Amritlal Bose. He is one of the three chief men who started theatrical performances in Bengal. Amritlal Bose, Girish Chandra Ghosh, and one some Pathan. This Amritlal Bose was a big author also, for writing comic books. And very expert lecturer. So somehow or other, we contacted him, and we used to call him dada-mahasaya.

Dada-mahasaya means grandfather. He was of our grandfather's age. In the evening he was drinking. Very luxurious. So when he came, he said, "Yes, I will give you direction. You are all aristocratic family. But you must know that what is the difference between this professional and this aristocratic family." So he explained that "Caitanya-lila, in the public theater, anyone can pay eight annas." That eight annas was third-class ticket. Eight annas, one rupee, two rupees and five rupees. "So they can see Caitanya-lila. Then where is the difference between your playing and their playing?"

So he explained that "There must be some difference, that the public, after seeing your playing, they should appreciate so much that they will agree they have never seen such. So I want to train you like that. Are you prepared?" His first condition. So we were boys at the time... "Yes, sir. Yes. Whatever you say." Then he said, "Then I take charge of training you." So his next condition was that "You cannot play unless I say it is all right." So we practiced for more than one year. Still he did not say that "You are all right."

He did not say. By force, practically, that "Now we shall play, sir." "All right, you can play, but it is not to my perfectional ideas." So I had the part of Advaita Acarya. So on the stage, when we saw all the public, they are crying, the audience. Regularly crying. We could not understand how they are crying, because we are dry; we have learned how to play, that's all. But he has trained in such a way that we could appreciate everyone was crying by seeing Caitanya, everyone hankered to play, act.

So it was due to training. He trained in such a way that we could not understand how we are playing, but the audience, they appreciated so much. Every one of them was crying. And another effect was... Because sometimes there were need of proxy. Some player has not come, and the rehearsal is going on. So the result was that each and every one of us learned the play of others. There was no scarcity of duplicate. So that was the first and last of playing in dramatic drama in my life. Caitanya-lila. We had own club, Indian, Indian, like that.

Svarupa Damodara: It also so happens that sometimes people who are not professionals, they are more sincere.

Prabhupada: Hmm?

Svarupa Damodara: Sincerity, people see, the audience. That makes very genuine.

Gargamuni: We once went to see one Caitanya-lila in Calcutta.

Prabhupada: Oh!

Gargamuni: They were no good.

Prabhupada: That is third class. Our Caitanya-lila was played by all the young men of aristocratic Mulliks, Sils, all millionaires.

Gargamuni: Nowadays it is not done.

Prabhupada: That was the point he stressed, that "You are from the selected aristocratic family of Calcutta. You shall play, and the public theater is also playing. What should be the difference?" That was his point. So that he gave us. They were so gorgeously played. And we received so many invitations: "Please come and play in our house." [pause] Polish is all right?

Tamala Krsna: Not bad. Now by washing, it will become better.

Gopala Krsna: Washing every day.

Tamala Krsna: By cleaning every day. They have a nice system for your buzzer. It's going to be ready about nine o'clock. This will just be temporary. They have an automatic buzzer system in all the servants' quarters. So there will be a button here and...

Prabhupada: Then so many servants will come? [laughter]

Tamala Krsna: No, according to the number of rings you give us.

Prabhupada: That is a botheration. [pause] Just close the doors. I want to see how the doors are fixed up.

Gargamuni: These also?

Prabhupada: What is that?

Gargamuni: These doors in the back.

Prabhupada: Yes. [devotees go around closing the doors] All the greeting room? Hmm?

Gargamuni: It is quiet.

Tamala Krsna: Close that door, Gopala.

Gopala Krsna: There's no door here.

Bhavananda: There's no doors on this side yet.

Prabhupada: One door is lacking.

Tamala Krsna: One door there and one more door outside is still lacking. Still, it is pretty quiet.

Bhavananda: And then if we pull the drapes over the doors they will be very quiet, these drapes.

Prabhupada: All right. You can open. So that was my Dictaphone.

Tamala Krsna: Yes. This is for Dictaphone.

Prabhupada: And this is for eating.

Tamala Krsna: This is for eating.

Prabhupada: And this is for sitting.

Tamala Krsna: For sitting. And that's for resting, that room. Bathrooms are there.

Prabhupada: And where to keep the legs? [laughter] For massaging.

Tamala Krsna: On top of our heads.

Prabhupada: [laughs] Hare Krsna. So to finish the whole thing, how long it will take?

Saurabha: For the guesthouse?

Prabhupada: Whole. Whole temple.

Saurabha: Well, everything that will be marble, I can't say. Marble is very difficult, because people that are available in India, they are from Makrana, Muhammadan people, and they are very difficult to work with. They don't always keep up, they don't always do what they promise. But otherwise, by July, practically, the building should be ready.

Prabhupada: There is no way to engage them to work properly?

Saurabha: Yes. At the moment I have... It is going nicely. I have been with people in Makrana and about forty people here, which is very... I don't think there are many projects in India where they have so many. But there's always things happening. Political sometimes. Sometimes they ask a lot of money. Because they are all related. They are all family members, like one big family. So if something happens and they are not pleased with it, then they, everyone...

Prabhupada: So make arrangement so that they are not displeased.

Saurabha: Yes, I am very careful, and at the moment it is going very nicely.

Prabhupada: So keep that standard. Money scarcity we shall not allow. We shall put.

Saurabha: I pay exact what they are working for.

Prabhupada: Monies, Krsna's supplying; so there is no question of scarcity. Finish it as soon as possible. There is no question of money supply. Yes.

So Lokanatha Swami, your bullock cart program, how it is going on?

Lokanatha: I have got just one letter from them when I was in Vrndavana. They were doing good, but there was not enough men with them. I left five boys when I left Mayapur for Vrndavana. One of the boys, when he came to know that I am not traveling, he decided not to go. And one other boy was approached and was asked to stay in Mayapur. So there are only three boys on the bullock cart.

Prabhupada: Nobody is joining?

Lokanatha: Yeah, the boys who are on the party, they are confident that in Bengal they should get some more boys to join. That's what they wrote to me in Vrndavana. So I did not get any more reports. They are pretty good boys. They should be doing...

Prabhupada: It is very difficult to make one devotee. That is... Manusyanam sahasresu kascid yatati [Bg 7.3].

So if two, three men are there, that is sufficient for preaching also. You have to sit down any place and chant, and people will join. Local men. Not permanently, but at least to continue chanting.

Lokanatha: They do it. They are carrying Bengali books. They have pots for cooking prasadam. They have slide show.

Prabhupada: But our Bhavananda's preaching in Bengal was very encouraging.

Bhavananda: Hmm?

Tamala Krsna: Your preaching in Bengal was very encouraging.

Bhavananda: My preaching?

Prabhupada: In Bengali village?

Bhavananda: Yes.

Prabhupada: Very encouraging. [end]