rupe—unto Rupa Gosvami Madhya 19.121, Madhya 23.102, Antya 1.206, Antya 1.207, Antya 1.209, Antya 1.216
rupe—in the forms of SB 1.3.33, Adi 9.11, Madhya 15.134
rupe—in beauty Adi 4.141, Adi 4.214, Adi 4.242-243
rupe—to Rupa Gosvami Madhya 19.1, Antya 1.56, Antya 1.84
rupe—Rupa Gosvami Antya 1.55, Antya 1.59
rupe—in the feature of SB 2.1.23
rupe—and form SB 6.19.13
rupe—in the beauty Adi 4.260
rupe—in the features. Adi 10.56
rupe—unto Sri Rupa Gosvami Madhya 19.116
rupe—in forms Madhya 20.167
rupe—by the beauty Madhya 24.49
rupe—to Rupa Antya 1.53
rupe—with Srila Rupa Gosvami Antya 1.65
rupe—upon Rupa Gosvami Antya 1.208
rupe—as Antya 6.202
Compound Sanskrit Words Containing: rupe
nana-rupe—in various ways Adi 5.23, Madhya 2.27, Madhya 4.17
sutra-rupe—in the form of a synopsis Adi 13.7, Madhya 4.7, Madhya 19.136
chaya-rupe—in six forms Adi 2.99, Adi 2.100
sri-rupe—to Srila Rupa Gosvami Madhya 19.89, Madhya 19.135
jagat-rupe—in the form of the cosmic manifestation Adi 7.124, Madhya 6.170
amsa-amsi-rupe—as the expansion and the original Supreme Personality of Godhead Adi 5.154
advaita-rupe—in the form of Advaita Adi 6.16
advaita-rupe—in the form of Advaita Acarya Adi 6.20
ananta sva-rupe—in unlimited forms Madhya 21.47
ananta-rupe—in unlimited forms Adi 2.100
antah-atma-rupe—in the form of the Supersoul Adi 5.85
caitanya-rupe—in the form of Lord Caitanya Mahaprabhu Adi 2.109
caittya-rupe—in the form of the Supersoul Adi 1.58
sesa-rupe—the form of Lord Sesa Adi 5.10
sesa-rupe—in form of Lord Sesa Adi 5.117
siksa-rupe—as an instruction Madhya 16.236
sri-rupe siksa karai—teaching Srila Rupa Gosvami Madhya 1.243
sri-rupe dekhiya—seeing Srila Rupa Gosvami Madhya 19.48
sri-rupe milite—to meet Srila Rupa Gosvami Antya 1.103-104
sri-krsna-caitanya-rupe—in the form of Lord Sri Krsna Caitanya Adi 6.109
santa-rupe—O mother SB 3.25.38
santa-rupe—O mother, the symbol of peacefulness Madhya 22.162
sastra-guru-atma-rupe—in the form of Vedic literature, the spiritual master and the Supersoul Madhya 20.123
dhvani-rupe—the form of sound vibration Madhya 21.140
dui rupe—in two forms Madhya 20.166
dui-rupe—in two forms Adi 1.68
daru-brahma-rupe—in the form of Brahman as wood Madhya 15.135
ei chaya-rupe—in these six features Adi 1.32
ei-rupe—in this form Adi 17.113
eka-rupe—without change Madhya 3.136
eka-rupe—to the one Madhya 19.121
eta-rupe—in so many forms Madhya 20.247
gopinatha-rupe—in His arca incarnation as Gopinatha Madhya 4.208
guru-rupe—in the form of the spiritual master Adi 1.45
hari-dasa-rupe—both Haridasa Thakura and Rupa Gosvami Antya 1.49
krsna-rupe—in the form of Lord Krsna Adi 2.72
manmatha-rupe—in the form of Cupid Adi 5.213
nava-vyuha-rupe—in nine Deities Madhya 20.241
nama-rupe—any material name or material form SB 8.3.8-9
nama-rupe—the name and form SB 10.2.36
nama-rupe—in the form of the holy name Adi 17.22
narayana-rupe—the form of Lord Narayana Adi 5.26
narayana-rupe—in the form of Lord Narayana Adi 5.27-28
narayana-rupe—in the form of four-handed Narayana. Madhya 20.192
panca-tattva-rupe—the Lord in His five forms Adi 7.163
prabhava-vaibhava-rupe—in the divisions of prabhava and vaibhava Adi 2.97
prana-rupe—like his life Antya 10.40
purusa-rupe—in the original form of Maha-Visnu Madhya 20.265
purva-rupe—as previously Madhya 20.192
rasa-rupe—composed of transcendental mellows Madhya 23.47
rupe milaila—introduced Rupa Gosvami Antya 1.54
rupe alingila—embraced Rupa Gosvami. Antya 1.48
sanksepa-rupe—briefly Madhya 25.90
sarva-rupe—in all these forms Adi 5.11
sei rupe—in that way Antya 6.265
sei-rupe—in that form Adi 17.113
sthula-rupe—the gross form SB 5.16.3
sva-anga-visesa-abhasa-rupe—in the form of a specific shadow from His personal body Madhya 20.273
sva-rupe—in the form of. Adi 1.58
sva-rupe—original form Madhya 17.132
sva-rupe—in identities Madhya 24.80
sva-vilasa-rupe—who describes the pastimes of Lord Krsna. Madhya 19.121
svayam-rupe—in the original form Madhya 20.166
sutra-rupe—in the form of notes Adi 13.15
tat-ekatma-rupe—in the form of tad-ekatma Madhya 20.184
tata-rupe—in as many forms Adi 5.67
tina-rupe—in three forms Madhya 20.165
tara rupe satrsna—attracted to her beauty Antya 20.53
vibhu-rupe—in His all-pervasive feature Madhya 24.22
visesa-rupe—and specifically Adi 1.23
visnu-rupe—in the form of Lord Visnu Madhya 20.314
vyasa-rupe—in the form of Vyasadeva Adi 7.106
ye-rupe—as Madhya 7.112
ye-rupe—by which process Antya 20.20
avarana-rupe—in the form of a covering Madhya 20.193
avarana-rupe—as a covering for the four sides Madhya 20.241